Each watch in Richard Mille's new RM HJ-02 collection is adorned with an astonishing 1,399 precious and ornamental stones, meticulously applied using three distinct setting techniques. Richard Mille unveiled 12 high-jewelry watches in blue, pink, violet, and green colorways, powered by its in-house automatic tourbillon calibre CRMT2, crafted from white gold and showcasing a skeletonized design, according to Robb Report.
Richard Mille is celebrated for its avant-garde mechanical engineering, but this new collection places an unprecedented emphasis on external, maximalist gem adornment. The brand's traditional focus on mechanical transparency shifts, embracing overwhelming external opulence.
This move strategically elevates Richard Mille's high-jewelry offerings, targeting an even more exclusive segment of the ultra-luxury market. It could set a new industry standard for opulent watch design.
What are the latest Richard Mille high jewelry watches?
The RM HJ-02 In-House Automatic Tourbillon collection features 12 unique timepieces, organized into four chromatic universes: pink, violet, blue, and green, according to WorldTempus. These watches incorporate rubies, sapphires, diamonds, emeralds, Paraíba tourmalines, malachite, chrysoprase, turquoise, and mother-of-pearl. This diverse palette and distinct chromatic themes confirm the collection's bespoke nature, targeting collectors who demand unparalleled exclusivity and artistic expression.
Notably, while Robb Report and WorldTempus refer to this new collection as 'RM HJ-02' with 12 watches, the Richard Mille website details an 'RM HJ-01' collection. This suggests either a naming inconsistency or a strategic phased release across different high-jewelry lines.
How do Richard Mille high jewelry watches combine engineering and gems?
Adorning its skeletonized in-house tourbillon movements with 1,399 stones per watch (Robb Report), Richard Mille redefines 'luxury'. This shifts the focus from pure mechanical transparency to overwhelming external opulence. Horological engineering becomes a canvas for maximalist jewelry, not the primary spectacle. The sheer volume and variety of gem-setting on a skeletonized movement deliberately complements, and perhaps partially obscures, the mechanical marvel with external flash.
